León Ferrari Rey y dama (King and Queen) 1982

The vaguely calligraphic lines that comprise León Ferrari’s “written drawings” seem to vibrate with an internal energy. In Rey y dama, this undulation takes on a tongue-in-cheek subtext of eroticism by virtue of the central motif of king and queen chess pieces lying in repose on their marital bed. Like Marcel Duchamp before him, Ferrari zeroes in on the particular intersection of verbal and abstract thought that the game involves. In this and other works, Ferrari collapses the distinction between seeing and reading, prompting a kind of oscillation, at the level of cognition, between the decipherment of what appears to be a coded language and the aesthetic perception of abstract imagery. The cryptic aspect of this image corresponds to his interest in the mental operations involved in processing texts written in an unfamiliar language; here, this function is slowed down, suspended. 
Identification
Title
Rey y dama (King and Queen)
Production Date
1982
Object Number
2016.333
Credit Line
Collection Pérez Art Museum Miami, acquired from The Sackner Archive of Concrete and Visual Poetry, with support from the John S. and James L. Knight Foundation. Gift of Ruth and Marvin A. Sackner and the Sackner Family Partnership
Copyright
© León Ferrari. Courtesy Fundación Ferrari 
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Physical Qualities
Medium
Ink, Letraset, and paper collage
Dimensions
20 1/16 x 14 3/8 inches
Visual Description
Rey y Dama (King and Queen) by artist León Ferrari is an Ink, Letraset, and paper collage made in 1982. It measures approximately twenty by fourteen inches, and is hung in portrait orientation, meaning its shortest side runs parallel to the floor. The composition of this ink and paper artwork is similar to a handwritten letter on unlined paper. Small calligraphic lines and letters fill the page and are interspersed with various symbols. All are in black against a white paper surface, and are surrounded by narrow margins. With their dips, loops, and diagonal curves, these scratchy lines resemble letters but are in fact unintelligible. Letters that we can recognize are scattered throughout this mysterious written language in a selection of fonts and sizes. The letters that are the most prominent are A, X, S, R, B, W, O, and E. Sprinkled throughout the calligraphic webs and knots of lines and letters are familiar typographic symbols such as flowers, figures, stars, chess pieces, a bed frame, an ornate picture frame and a candelabra. These symbols seem to unfold slowly and then get lost again, similar to a childhood game of Where’s Waldo. In the very center of Rey y Dama is an aerial and typographic image of two king- or queen-sized beds sitting parallel to each other. On both beds, the left side of the blankets are neatly folded down. On the left bed is a king’s crown and on the right bed is the typical crown of a queen. In contrast to the other symbols throughout the artwork, these beds are surrounded by white space, therefore becoming a focal point amid the chaos around them.
León Ferrari
León Ferrari — b. 1920, Buenos Aires; d. 2013, Buenos Aires
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